In addition, you can restart the entire operation by clicking the Reset button (Ctrl+R). Clicking the Undo button (Ctrl+Z) or the Redo button (Ctrl+Shift+Z) enables you to navigate forward or backward through your most recent actions. If the picture element you’re cutting out is intricately shaped, so that defining its edges requires more than a few careful actions with the pointer, you’ll appreciate the Undo, Redo, and Reset buttons in the lower-left corner of the dialog (see below). When previewing an area of a cutout, you can view the results against a grayscale, white matte, or black matte background, which enables you to examine, evaluate, or refine the cutout results before you commit to changing your image. After you define your picture element, you can click the Preview button (Ctrl+P) to see how the final results will appear.īy using the previewing options (see below), you can toggle a display of the Highlight, Fill, and Original Image areas of the picture you’re working on in the preview window. These tools are supplemented by detailing tools for refining the edges of your cutout. On the right side of the Cutout Lab, you’ll find the tools used for highlighting, filling, and erasing the defined edges of the picture element that you want to cut out (see below). The versatile Pan Tool (H) also doubles as a zooming tool, and Normal (Ctrl+1) and Fit To Window (F4) buttons let you reset zoom settings to specific levels. The Zoom In (F2) and Zoom Out (F3) tools operate in the usual way, allowing incremental changes of the view magnification in the preview window. A common toolset enables you to control the view of your selected image. You’ll find that zooming and panning tools are featured on the left side of the Cutout Lab, above the preview window (see below). The Cutout Lab features an expanded, well-equipped toolset that includes a roomy preview window, zooming and cutout toolbars, and previewing and cutout options. If you’re already comfortable with Corel PHOTO-PAINT, you’ll find yourself easily adapting to the interface options and editing tools in the Cutout Lab, which is organized into two basic areas, as shown below. The Cutout Lab features a slimmed-down version of the same tools and options used in Corel Knockout 2. In fact, if you’ve used Corel® Knockout 2 with Adobe® Photoshop® or Corel® Painter™, you’ve already experienced this plug-in application in action. The Cutout Lab, which exists as a self-contained feature in a single dialog, is essentially a plug-in application that has been integrated into Corel PHOTO-PAINT. In the image below, the picture of the swimmer was easily isolated and inserted into a different scene, with realistic results. For example, you can mix it with other picture elements to create custom photo compositions. After a photo element has been cut out, you can manipulate it as you would any floating object. The complex masking functionality of the Cutout Lab enables you to create high-quality photo composites. It automatically applies transparent edge-feathering, and it enables you to decide whether your cutout will be an object without a background, an object on top of the original image, or a clip mask attached to the original image. Much more than just a quick selection tool, the Cutout Lab accurately detects almost any shape and preserves the fine details of an image. The Cutout Lab introduced in Corel PHOTO-PAINT® X3 enables you to extract or copy photo elements from any digital image with precision and relative ease.
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